Mors’ 2012 effort is decent enough, however, to offer hope for such a thing to further develop in the future. are only about halfway there at this point, being perhaps 75% there before … And Death Said Live came out. Whether you’re listening to Children Of Bodom, Eternal Tears Of Sorrow or Wintersun you will pretty instantly know exactly who you’re listening to because all of the aforementioned have a unique, identifiable sense of melody and composition whereas M.P.E. … And Death Said Live is definitely less hyper and spastic than Liberation = Termination and its overall sense of melody is, unfortunately, a bit more generic and unrecognizable which is one of the things that presently hurts this band the most. lost a couple guitarists and, as one could predict, gained a couple new ones along the way which is probably part of the reason the band’s sound has been somewhat altered. It has been five years since the excellent Liberation = Termination was unleashed upon the world and, between then and now, M.P.E. … And Death Said Live is the band’s fourth full-length and came out towards the tail-end of 2012. also stray from the now classic, cold and generally melancholic Finnish sound that one can detect in everything from Sonata Arctica to Swallow The Sun which is to both the band’s benefit and downfall.
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for short) hail from dearly beloved Finland and have, at least in the past, done a little bit more with the genre than just follow in the forefathers’ footsteps although Mors’ level of invention isn’t on par with other up-and-coming melo-death bands like In Mourning and Be’lakor, for example. Virtually every part of the planet has laid its hands upon a once small, underground movement in Sweden that has since exploded and evolved into something far different than its harsher, more abrasive and progressive roots.
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Melodic death metal, like most sub-genres of metal, is quite over-saturated thesedays.